9 Ways To Invest in Your Writing Business

(Fun fact!: 500,000 Venezuelan bolivares used to be worth about $300 USD. It is now worth $0 USD because they reissued their currency. Change your unstable currencies in the airport *before* you fly home, kids!)


I like to set a theme for each year — particularly for my freelance writing business. This year’s theme? Pruning back the wrong opportunities, and investing in my business.

Of course, I’ve been investing in my business all along. I joined the Freelance Writers Den. I took classes with people like Carol Tice and Ed Gandia. I invested in the software and tools, like Freshbooks and a properly-functioning laptop, I needed to run my business effectively. But this year, I’m actively seeking out investment opportunities I know will help my business grow.

Most of those things do cost money, but I just want to say this off the bat: You don’t need to have a lot of money to start investing in your business.

But owning a writing business is no different than owning any other type of business — you need to be constantly investing profits and energy back into it if you want to see real growth.

1. Invest in the right tools

Unlike starting a restaurant, starting a writing business doesn’t require much capital. You can turn in decent work using just an ancient laptop with spotty Wi-Fi, but as you establish yourself it’s worth investing in proper tools — for your own sanity if nothing else!

Consider the tools you need to do your job well and hassle-free: a new laptop, a good desk, software (like Freshbooks and Dragon Dictation), a high-quality monitor, a standing desk, an ergonomic chair….

These things don’t need to be expensive, but you need to be able to count on your tools.

2. Invest in your education

One of the best ways to grow your business is by increasing your skills. Whether you’re interested in picking up a new type of project — like case studies or white papers — or breaking into a new industry, seek out courses, podcasts, blogs, and webinars. Some of these resources may be paid, others may just require an investment of time.

3. Invest in a long-term side project

One way to invest in your business is by taking time to work on a personal project that will pay off long-term dividends. (These dividends don’t always have to be monetary.) One copywriter friend is currently taking time from her busy client schedule to create a webinar that she hopes will net her bigger and better projects. My side projects are my novels, and this blog.

Invest in your future by building something today that will support you tomorrow.

4. Invest in professional conferences

Attending a professional conference is a good way to not only learning new skills and meet new people, it’s also a good way to demonstrate to potential clients that you’re serious about your business.

In this recent High Income Business Writing podcast with Ed Gandia, Jennifer Gregory talks about some of the connections she made by attending Content Marketing World last year. It’s a really inspiring story about putting yourself out there, and treating your business as a business.

After listening to that podcast, I signed up for Digital Summit PDX next month. I’d been on the fence, but decided to take the leap and get serious about networking with other professionals in my field.

(If you’re going to be there, hit me up! I’d love to meet for coffee/happy hour.)

5. Invest in quality peer networks

What kind of people do you want to be surrounded by? Seek out those people, and invest in building relationships with them.

Since we’ve moved to Portland I’ve been developing an amazing network of writer friends. Some of these have been chance encounters — like the two science fiction writers who introduced themselves to me in a coffee shop because they noticed I was using Scrivener. But much of this networks has been built by me deliberately saying yes to as many opportunities as I can. Being proactive in asking people out for coffee. Attending readings and introducing myself to people at the table beside me. Going to meet-up groups and networking events.

I’m lucky in that Portland has a very interconnected speculative fiction writing community, but even if your town doesn’t have a good writing community, you can seek out these relationships online. I’ve spoken before about my freelance writing accountability group. I’ve never met these women in person, but they’ve become a core part of my freelance business.

6. Invest in professional memberships

As part of creating your personal network, it can be beneficial to fork over some dough for a reputable professional membership. Maybe you could join a trade organization, or, like I did when I was first starting out, join a paid forum like the Freelance Writers Den. The quality of the networking you’ll find in these organizations is often much more professional than what you may find in less formal organizations or forums.

7. Invest in professional touches

If you want to be seen as a pro, you need to look like a pro. Get professional business cards. Invest in a solid website. Get some nice headshots. None of these things need to cost you a ton of money. Try bartering with a friend who’s a photographer or website designer. Or opt for pre-designed business cards on Vistaprint.

As your business grows, revisit your initial marketing collateral from time to time to see if you can step it up. I’ve always done my own website design, for example, but this year I finally invested in a professional theme for this site. It still required work on my end, but it was approximately 1,000,000 less hours of my own time that went into it. I consider that $40 well spent!

8. Invest in your personal growth

This one is a bit more nebulous. It’s important to remember that you, a human, are at the center of your writing business. If you’re not taking care of your personal stuff your business will suffer.

Hire a business coach. Go to a therapist. Pick up a self-help book or two. Start meditating. Get out and walk every morning. Spend time with your family. Deal with your childhood trauma. Invest in your relationship with your partner.

You’re both your best boss and your best employee — take care of yourself.

9. Invest in a financial buffer

At the beginning of 2015, I was completely stressed out about money. I had enough to pay my half of the bills — most of the time — but I didn’t feel stable. I kept working my way up the pay scale with every new gig I picked up, though, and by the end of 2015 I had given myself a raise and had three months worth of business expenses saved up in my business’ savings account.

Talk about a stress-reliever.

To me, one of the most important things in running a freelance business is financial stability. That’s what keeps you from saying yes to jobs that aren’t right for you or getting trapped by clients you hate working for. It’s what lets you sleep at night, even if you just lost a big client or have a surprise bill come due.

So while you’re shelling out for courses, a new laptop, and a ticket to Content Marketing World, be sure to be putting a portion of your money aside for savings, too. Your future self will thank you


What are some ways you’ve invested in your business? I’d love to hear about them – leave a comment!

The Zen of a Writer’s Finances: Cheating the Feast or Famine Cycle

Am I kidding? “Writer’s finances” and “zen” in the same sentence?

For most writers I know, talking about the financials of how we make a living is completely antithetical to feeling calm and zen-like. There’s the stress of finding paying gigs. Of selling stories. Of late checks. Of deadbeat clients.

Things are messy and complicated, and far too close to the edge of total ruin than most of us would like to admit.

Maybe you’ve already seen this Salon article about writers who are sponsored by their well-off partners. If not, give it a read. It’s thoughtful – and thought-provoking.

I’m not pointing you there to start a bitchfest about how we can’t all have rich partners or parents to support our writing habits (although in my case having a second income has made my transition to freelancing loads easier than it would have been otherwise). Rather, I think the author, Ann Bauer, has a good point.

Writers don’t talk often enough about the money side of our art.

We get jealous of the 6-figure incomes of freelancers who now make most of their salary selling informational products. We assume Nebula and Hugo winners must be living the high life of leisurely writing days broken only by trips to the bank to deposit royalty checks. We think if only we can break into the Huffington Post we’ll be rich (they don’t pay, people!).

But here’s the thing.

I LOVE talking about money.

I’m that person in our relationship who likes to budget down to the cent and figure out income and expense. I run numbers constantly. I really like sitting down with my husband to talk about our budget. I read blogs about interest rates. I was ecstatic when our bank (BECU) came out with a new money management tool that ran automatic reports! And had color-coded budgets!

My husband used to think I obsessed about our finances in order to stress myself out, but it’s really not that. I do it because it’s a comfort to know exactly what’s going on.

Today I’m sharing my obsession with my writing business finances with you, in the hopes that it’ll help someone else who’s just getting started see how I do things. I’m constantly tinkering, so if you have any advice to share, please please please leave it in the comments!

C’mon, writers! Let’s talk about money!

Part 1: Setting Up Your Finances

I’m not going to lie – it’s a feast or famine out there. I’ve had horrible lean stretches that would have had me on the street if I didn’t have the luxury of a husband with a (mostly) steady paycheck, or a squirreled-away savings account for the low times.

But even though that feast or famine cycle is never going to change, I’ve tried to set myself up to weather it as best as I can.

1. Budget, budget, budget

If you’re going to live on a variable income, you absolutely need to know your budget. I’m not talking about using an envelope system or anything like that – though you certainly can if you want to. I’m talking about being honest about where you’re spending your money every month.

Because I track our spending, I know exactly which payments we can stop, luxuries we can scrimp on, and items we can sell off (*ahembikes*) if we need extra help on the rent this month.

Part of budgeting is figuring out where you can cut back to take the stress off. It’s knowing what you have to pay, and what you’re paying out of preference. It’s knowing that eating beans and rice instead of going out a few nights a week means $400 less a month that you have to drum up in client work.

2. Pay yourself a set salary

The best thing I ever did for my finances was to set up a business checking account. I deposit every writing-related check into that account, I transfer 35% of the amount into a separate savings account for taxes, and then I pay myself a set salary on the 1st and 15th every month.

This does two things:

First, it lets you budget your personal life, knowing that you’ll be receiving a set paycheck twice a month. Especially once you’ve built up a buffer, setting up your finances this way smooths out your income. Now, even though your client may be late on their check, you’re not late on your rent.

Second, it puts any surplus out of reach. If you had a great month, let your business treat yourself to a nice dinner or buy you a bonus bottle of Deschutes anniversary ale – after all, you’re your own boss, and you should treat yourself when you’ve done a good job. But don’t be tempted to spend that extra cash, because when next month is slim pickings you’ll have nothing to draw on for your salary.

My business account is as sacred as a company credit card. Would you buy groceries or go to a movie on your company’s dime? No way in hell. Set up an automatic transfer for your salary, then treat your business account like it’s your boss’s money. Because it is.

3. Build up recurring work

The best peace of mind you can have is a recurring base of income. Whether that’s a job waiting tables, a steady blogging client or two, or regular income from published books, this is crucial to smoothing out the feast or famine cycle.

Right now I have a pretty standard base I can rely on every month, thanks to several clients who give me regular work. Without them, each month would be a nail-biter of a blank slate. With them, I know at least I’ve got groceries covered if everything else is crickets.

What I’m working on at this point is building up a regular passive income, as well. I get regular beer money from my bike crafting ebook, and I plan to publish several novels this year that I can hopefully start to build on. I have no illusions that I’ll make it rich yet, but each drop of water helps, right?

Part 2: Getting Clients To Pay You

Cool. You’ve got things figured out on your end, right? Now how do you get clients to pay?

That can be tough. As I write this, I’ve invoiced more for January than I have for each of the last 6 months – but I still can’t pay my own salary for February 1st because 90% of those invoices are still outstanding. Ideally, I’d have a buffer built up so that it wouldn’t matter, but I just don’t at this point. (No judging, right?)

So how do you get your hard-earned money?

None of the invoices I mentioned above are overdue – just some clients take a while to get the paychecks cut. Weeks and weeks and weeks. All you can do is sit and wait.

But once they become overdue? The instant I see in Freshbooks that they’re past the 30-day terms (which is written on my invoice, as well as in my contract), I email my contact to gently remind them that I haven’t seen the cash.

I recently heard someone say he puts clause in his contract that the copyright doesn’t transfer to the client until he gets paid in full. I haven’t tried this yet, but it’s totally brilliant, and I’ll definitely be adding that in for the future.

Getting paid:

1. If they’re regular clients, and you regularly get paid…

Just ask what happened this time.

Most of my client contacts aren’t in charge of payroll, so making sure I get paid is pretty far down on their list of priorities. They probably forwarded my invoice on and accounts payable missed it. Or they forgot to forward it on, because they were too excited about the new blog post series I turned in.

Whatever the reason, once I’ve brought it to their attention that I haven’t been paid yet, they’re generally a) mortified, and b) quick to take care of it.

If you’re having issues with a regular but otherwise awesome client, ask your contact for the accounts payable person. That way you can contact them directly about payment holdups, and keep your relationship with your primary contact free from money troubles.

2. If they’re new clients…

Assume the best and shoot them a followup email. Ideally with new clients I try to get a deposit up front, but unless they seem like total skeezeballs during our initial interactions, I generally assume my clients are good-yet-absentminded people. I’ve yet to be proven wrong. (Knock on wood.)

As a general rule, you should get half up front with new clients. If they balk at that, you should probably balk at putting in an entire project’s worth of work for free. They don’t trust you? Don’t trust them.

3. If you’re having problems with payment every time…

Get out of that relationship!

Please don’t work for people who don’t have their financial shit together. If they seem sketchy and are holding up paying you, fire them and find another client. If you have to hunt down your payment every single time, drop ’em like a rattlesnake before you get bit in the ass.

I used to have a friend who waited tables at a restaurant, and would literally run to the bank each payday to deposit the check, because if he was one of the last on the payroll to do so, his paycheck would most likely bounce. Isn’t that insane?

You can guarantee that if this restaurant didn’t have enough cash on hand to make payroll – EVER – they didn’t have other basic shit together.

Don’t work for people like that.

Whew. That was way longer than I thought it would be. If you’re still reading, I’d love to hear from you. How do you deal with the financial uncertainty of making a living as a writer?